diff options
-rw-r--r-- | FONTLOG.txt | 301 | ||||
-rw-r--r-- | oldstandard.tex | 3 |
2 files changed, 303 insertions, 1 deletions
diff --git a/FONTLOG.txt b/FONTLOG.txt new file mode 100644 index 0000000..8ea2eb6 --- /dev/null +++ b/FONTLOG.txt | |||
@@ -0,0 +1,301 @@ | |||
1 | FONTLOG | ||
2 | Old Standard font family | ||
3 | ======================== | ||
4 | |||
5 | This file provides detailed information on the Old Standard family of | ||
6 | fonts. This information should be distributed along with the Old Standard | ||
7 | fonts and any derivative works. | ||
8 | |||
9 | Basic Font Information | ||
10 | ---------------------- | ||
11 | |||
12 | The Old Standard font family is an attempt to revive a specific type of | ||
13 | Modern (classicist) style of serif typefaces, very commonly used in various | ||
14 | editions printed in the late 19th and early 20th century, but almost | ||
15 | completely abandoned later. Although contemporary typographers often | ||
16 | consider this lettertype obsolete and out-of-fashion, it still has at least | ||
17 | two advantages: | ||
18 | |||
19 | -- The classicist style still can be considered a good choice for | ||
20 | typesetting scientific papers, especially on social and humanitarian | ||
21 | sciences, as its specific features are closely associated in the people's | ||
22 | eyes with old books they learned on; | ||
23 | |||
24 | -- the most beautiful examples of Greek and Cyrillic lettertypes were all | ||
25 | based on the Modern style, so that for those scripts "Modern" fonts | ||
26 | are much more appropriate than any contemporary (e. g. Times-based) | ||
27 | designs. | ||
28 | |||
29 | That's why the Old Standard font family has two main purposes: it is | ||
30 | intended to be used as a specialized font for philologists (mainly | ||
31 | classicists, germanists and slavists) and also as a general-purpose font | ||
32 | for typesetting various editions in languages which use Greek or Cyrillic | ||
33 | script. For this reason Old Standard provides glyphs for a wide range of | ||
34 | Latin, Greek and Cyrillic characters. | ||
35 | |||
36 | The name "Old Standard" was selected as opposed to the "Obyknovennaya | ||
37 | Novaya" ("New Standard") typeface, widely used in the Soviet typography, | ||
38 | which represents another, slightly different type of the same Modern style. | ||
39 | The digital version of this font is now available from Paratype | ||
40 | (http://www.paratype.ru). Of course this name doesn't look very original, | ||
41 | but it seems to be a good choice for a revival of the most common | ||
42 | lettertype of the early 20th century. | ||
43 | |||
44 | ChangeLog | ||
45 | --------- | ||
46 | 2011 April 30 (Alexey Kryukov) Version 2.2 | ||
47 | |||
48 | * Latin Extended Additional (again, except Vietnamese and medievalist additions) | ||
49 | for Bold and Italic. | ||
50 | |||
51 | * More punctuation characters, including New Testament critical signs. | ||
52 | |||
53 | * New implementation for the 'frac' feature: it is now possible to build | ||
54 | any arbitrary fractions rather than just those available in Unicode in the | ||
55 | precomposed form. | ||
56 | |||
57 | * SIL's Graphite rendering technologie is now supported. The features available | ||
58 | are mostly the same as for OpenType, but there are some additions (in | ||
59 | particular it is possible to render a Greek text with accents above capitals). | ||
60 | The manual has also been changed to reflect the new functionality. | ||
61 | |||
62 | * Cosmetic glyph changes (foots/arms in Cyrillic 'Ka', 'Zhe', 'Ya' in | ||
63 | particular). | ||
64 | |||
65 | * Added human-readable stylistic set names (US English only) and style | ||
66 | (sub-family) names in a few additional languages. | ||
67 | |||
68 | * The fonts are now available also in the WOFF format to simplify embedding | ||
69 | into web pages. | ||
70 | |||
71 | 2009 November 18 (Alexey Kryukov) Version 2.1 (not released) | ||
72 | |||
73 | * The "Greek and Coptic" Unicode range is now fully covered, except Coptic | ||
74 | letters. The epigraphic letters have been implemented in a simple sans-serif | ||
75 | style: I don't like "creativity" if it can result in producing urecognizable | ||
76 | glyphs. | ||
77 | |||
78 | * Regular and bold: New alternate glyphs for Cyrillic IE (U+0415/U+0435) and | ||
79 | Ukrainian IE (U+0404/U+0454), used by default for Church Slavonic. The intent | ||
80 | is to make Old Cyrillic YEST clearly distinguishable both from Latin E and | ||
81 | "wide" YEST. | ||
82 | |||
83 | * New glyphs for CYRILLIC SMALL LETTER MONOGRAPH UK (in all 3 styles). | ||
84 | |||
85 | * I have implemented a k-shaped kappa in all three styles, a script rho in | ||
86 | regular and bold and a rho with straignt tail in italic. These characters | ||
87 | (except the script rho) are kept unencoded and can be accessed via the 'mgrk' | ||
88 | feature tag. I don't think they would be very useful, but at least it is now | ||
89 | possible to use Old Standard for typesetting a copy of the Unicode Greek | ||
90 | codechart (I needed one for a book I was preparing). | ||
91 | |||
92 | * Multiple cosmetic glyph changes. In particular Latin capital "C", "E", "F", | ||
93 | "G", "L" and related glyphs have got heavier vertical serifs in the regular font. | ||
94 | Cedilla is redesigned (once again) in regular and bold. Shapes of some Greek | ||
95 | letters (including alternate beta and theta) have also been improved. | ||
96 | |||
97 | * I no longer use custom PUA mappings. I have preserved PUA codepoints for | ||
98 | a few standard glyphs (including capital accents) previously mapped there | ||
99 | by Adobe, as well as for additional accented Greek characters implemented | ||
100 | for compatibility with Ralph Hancock's fonts. Everything else has been moved | ||
101 | outside the encoding. | ||
102 | |||
103 | * Oops. I was wrong regarding "zhe with breve": this letter actually | ||
104 | should be formed with a standard (Latin) breve rather than a Cyrillic | ||
105 | telephone receiver-like accent. BTW I think rhis letter should be | ||
106 | available in the font: since I already support historical Romanian | ||
107 | characters, the modern Moldavian Cyrillic alphabet should be supported | ||
108 | as well. | ||
109 | |||
110 | * The regular font now includes most accented characters from the | ||
111 | Latin Extended Additional range (but not Vietnamese). | ||
112 | |||
113 | 2008 November 18 (Alexey Kryukov) Version 2.0 | ||
114 | |||
115 | * A bold version is now available! | ||
116 | |||
117 | * Added a full set of historical Cyrillic characters, as defined | ||
118 | in Unicode 5.1; | ||
119 | |||
120 | * Implemented Roman numerals and ancient Roman epigraphic letters | ||
121 | (including Claudian letters). | ||
122 | |||
123 | * Switched to lookup-based representation of the OpenType data | ||
124 | in the source files to conform the new FontForge's file format; | ||
125 | |||
126 | * Now both cubic and quadratic versions of the font outlines are stored | ||
127 | in the same source files (one file for each style), as FontForge's | ||
128 | new approach to multilayered fonts allows this; | ||
129 | |||
130 | * Switched to OFL version 1.1; | ||
131 | |||
132 | * FontForge now can generate reasonably good TTF instructions (it | ||
133 | could not when OldStandard v. 1.0 was released). So the TTF fonts | ||
134 | are now automatically instructed with FontForge. I still include | ||
135 | the old instructions for the regular version (prepared with | ||
136 | Peter Baker's xgridfit utility) into the source package, but they | ||
137 | are no longer used in the font itself. This certainly makes some | ||
138 | glyphs look worse, but improves the overall performance of the font | ||
139 | (especially in the antialiased mode); | ||
140 | |||
141 | * Danish Aringacute redesigned (now has the acute at the top of the ring | ||
142 | and a specially designed, reduced in size, diacritic for the capital | ||
143 | glyph); | ||
144 | |||
145 | * Redesigned cedilla and all combinations with this accent in the upright | ||
146 | font; | ||
147 | |||
148 | * More contour cleanup; | ||
149 | |||
150 | * Added accented combinations with "W" for Welsh; | ||
151 | |||
152 | * Added several new math characters to the regular font. The intent was | ||
153 | to fully cover the TeX OMS encoding, but this task is still far from | ||
154 | being reached; | ||
155 | |||
156 | * There is now a dedicated Unicode codepoint for capital insular "G" | ||
157 | (U+A77D), so move the corresponding glyph to that location; | ||
158 | |||
159 | * Corrected the shape of Greek symbol phi (U+03D5). It is still not | ||
160 | recommended to use this glyph instead of the normal (looped) form; | ||
161 | |||
162 | * Several new characters have been added, including the Latin letter EZH | ||
163 | (U+01B7/U+0292) and capital Es Zett for German (U+1E9E). There are | ||
164 | some new combining marks as well; | ||
165 | |||
166 | * I used to consider the breve accent should always take the typically | ||
167 | Cyrillic form when used after Cyrillic letters. However this assumption | ||
168 | seems to be wrong: the specific form of the diacritic is actually | ||
169 | an attribute of just three letters, i. e. "short i" (Russian etc.), | ||
170 | "Short u" (Byelorussian) and "zhe with breve" (Moldavian). | ||
171 | |||
172 | 2007 July 14 (Alexey Kryukov) Version 1.1 (not released) | ||
173 | |||
174 | * Added Latin letters OPEN E and OPEN O, requested by an African user; | ||
175 | |||
176 | * New glyph for ampersand in the upright font; | ||
177 | |||
178 | * Redesigned Polish ogonek and Czech comma-like caron; | ||
179 | |||
180 | * More work on italic Greek letters; | ||
181 | |||
182 | * General contour cleanup for some glyphs. | ||
183 | |||
184 | 2007 January 22 (Alexey Kryukov) Version 1.0 | ||
185 | |||
186 | * Added the WHITE SQUARE (U+25A1) character; | ||
187 | |||
188 | * Minor corrections in the fonts themselves and in the PDF manual. | ||
189 | |||
190 | 2006 December 12 (Alexey Kryukov) Version 0.9 | ||
191 | |||
192 | * Added a few more Latin Extended-B characters, yogh and wynn in | ||
193 | particular (thanks to Peter Baker for the valuable information on the | ||
194 | design of the letter yogh he provided). I also have implemented | ||
195 | uppercase and lowercase versions of the insular "g". Thus Old | ||
196 | Standard is now suitable for typesetting texts in Old and Middle | ||
197 | English. | ||
198 | |||
199 | * Added Hebrew aleph and a few Fraktur characters, useful for critical | ||
200 | apparatus, especially in Bible/New Testament editions. | ||
201 | |||
202 | * Implemented a full set of standard f-ligatures, present in most | ||
203 | OpenType fonts. | ||
204 | |||
205 | * Andrew Panov has convinced me to implement a set of mathematical | ||
206 | glyphs, designed in the style of traditional Russian math | ||
207 | typesetting. These glyphs are currently available only in the regular | ||
208 | version of the font. | ||
209 | |||
210 | * A PDF manual, explaining various features of the font, is now | ||
211 | available. | ||
212 | |||
213 | * Greek sampi (both uppercase and lowercase) has been redesigned. | ||
214 | |||
215 | * Implemented Greek lunate epsilon and reversed lunate epsilon (the | ||
216 | design doesn't match the remaining Greek letters though). Thus all | ||
217 | Unicode slots intended for "alternate" and mathematical Greek glyphs | ||
218 | are now covered. | ||
219 | |||
220 | * A few improvements in the TTF instructions for the regular font | ||
221 | (drop-out control has been enabled). | ||
222 | |||
223 | * Several minor corrections in the OpenType layouts. | ||
224 | |||
225 | 2006 October 01 (Alexey Kryukov) Version 0.8 | ||
226 | |||
227 | * Implemented a set of TrueType instructions (hints) for the regular | ||
228 | font (italics are still unhinted). I would like to thank Peter Baker | ||
229 | for his excellent (and extremely well documented) xgridfit program | ||
230 | (http://xgridfit.sourceforge.net), which provides a good Open Source | ||
231 | solution for gridfitting, or "hinting," TrueType fonts. | ||
232 | |||
233 | * The TrueType version of the regular font now has a separate source | ||
234 | file (OldStandard.ttf.sfd) with quadratic splines. | ||
235 | |||
236 | * Changed the naming convention for the TrueType version: the font name | ||
237 | now has a "TT" suffix, so that both TTF and OTF versions can be | ||
238 | installed on the same system simultaneously. | ||
239 | |||
240 | * Added a few Latin Extended-B characters, useful mainly for | ||
241 | germanists, in particular "b" with bar, "o" with ogonek and hwair. | ||
242 | Also I have corrected shapes of lowercase eth and thorn. Thus Old | ||
243 | Standard now includes all characters necessary for representing Old | ||
244 | Icelandic texts and Gothic transliteration. Still more characters | ||
245 | (the most important of them being uppercase and lowercase yogh) are | ||
246 | needed for a proper support of Old/Middle English. | ||
247 | |||
248 | * As usual, a few minor bugs have been corrected. | ||
249 | |||
250 | 2006 June 09 (Alexey Kryukov) Version 0.7 | ||
251 | |||
252 | * Added OpenType layouts for Latin, Greek and Cyrillic. Special | ||
253 | attention has been paid to correct shaping and positioning of | ||
254 | diacritical marks. | ||
255 | |||
256 | * Minor corrections of glyph shapes. | ||
257 | |||
258 | 2006 May 08 (Alexey Kryukov) Version 0.6 | ||
259 | |||
260 | * License changed to the SIL Open Font License. | ||
261 | |||
262 | * Added Greek glyphs, including those in the U+1F00--U+1FFF "Greek | ||
263 | Extended" Unicode range. | ||
264 | |||
265 | * Ukrainian and Serbian Cyrillic glyphs were redesigned in order to | ||
266 | bring them into a better correspondance with real examples of | ||
267 | the early 20th century printing. | ||
268 | |||
269 | * The standard mathematical operation signs were redesigned and | ||
270 | significantly enlarged, so that now their implementation contradicts | ||
271 | to the contemporary standards, but better corresponds to the European | ||
272 | tradition of math typesetting. | ||
273 | |||
274 | * Several additional math characters, needed to provide a full coverage | ||
275 | for the Mac Roman encoding, have been added. | ||
276 | |||
277 | * Ancient Greek metrical characters (U+23D1--U+23D9) have been | ||
278 | implemented. | ||
279 | |||
280 | * A TTF version is released in addition to OpenType-CFF fonts. It has | ||
281 | no hinting at all, so don't complain for bad screen rendering! | ||
282 | |||
283 | 2006 Feb 14 (Alexey Kryukov) Version 0.2 | ||
284 | |||
285 | * First public release. | ||
286 | |||
287 | Acknowledgements | ||
288 | ---------------- | ||
289 | (Here is where contributors can be acknowledged. If you make modifications | ||
290 | be sure to add your name (N), email (E), web-address (W) and description | ||
291 | (D). This list is sorted by last name in alphabetical order.) | ||
292 | |||
293 | N: Alexey Kryukov | ||
294 | E: alexios@thessalonica.org.ru | ||
295 | W: http://www.thessalonica.org.ru | ||
296 | D: Original Designer of Latin, Greek and Cyrillic glyphs | ||
297 | |||
298 | For more information please visit the Fonts page on Thessalonica's | ||
299 | website: http://www.thessalonica.org.ru/en/fonts.html. | ||
300 | |||
301 | Or send an email to <alexios at thessalonica dot org dot ru>. | ||
diff --git a/oldstandard.tex b/oldstandard.tex index fd766d1..da95586 100644 --- a/oldstandard.tex +++ b/oldstandard.tex | |||
@@ -27,7 +27,8 @@ | |||
27 | \end{filecontents*} | 27 | \end{filecontents*} |
28 | \documentclass[letterpaper]{article} | 28 | \documentclass[letterpaper]{article} |
29 | \usepackage{fontspec} | 29 | \usepackage{fontspec} |
30 | \usepackage[english]{babel} | 30 | \expandafter\def\csname ver@tuenc.def\endcsname{} |
31 | \usepackage[greek.ancient,english]{babel} | ||
31 | \babeltags{grc = greek} | 32 | \babeltags{grc = greek} |
32 | 33 | ||
33 | \babelfont{rm}{Old Standard} | 34 | \babelfont{rm}{Old Standard} |